More than one way to take up an instrument

Posted on: 9th March, 2015

Category: Music

Contributor: Mark Holland

Hunky Dory stocks a huge range of instruments, accessories, CDs and vinyl. Contact Mark on 023 8834982 or pop in to have a listen.

Formal or freestyle? Learning to play a tune ‘by ear’ or starting on page one of the sight-reading manual? For many this is a consideration when thinking about how to go about ‘taking up’ an instrument, when it comes to deciding how our children should proceed, it’s a different matter altogether. In the shop I often meet parents who can’t decide between the two; it becomes a problem when they can’t decide which may best suit their child and end up not choosing at all. My advice is to try them on one, see how it goes and if it doesn’t seem to be working you can always try them on the other one.

There is a lot to be said for both methods. In an effort to educate myself I asked two local musicians who both teach piano, in different ways, for their thoughts.

John, who is formally trained, has had great results teaching people the ‘learning by ear’ method. People can go to him with the music or songs that they want to hear, want to play, and quite quickly learn to express themselves on the keyboard in a way that gives them great joy and encouragement.  Particularly for those of us who struggle with the structure of formal education.

John often picks up students that have tried the ‘by the book’ method and have been left cold, uninspired, and even their natural aptitude choked, to be allowed unfold their wings in fertile ground and soar to unimagined planes to express themselves quickly. They are often playing on the keyboard the songs they wanted to play, the songs they have in their heads, the songs that they want to be played, within weeks. There is no better encouragement.

Tonya has a different has approach. She knows well that learning staff notation is structured, a bit like schoolwork, and doesn’t give instant results, but it’s not that hard. Learning to read music takes time but is much simpler and more straightforward than learning the alphabet.

Every one of us has different aptitudes, capacities and skill levels, but for most of us there is a limit to how many tunes we can keep in our heads. The ability or skill to read music means that, as time goes on, a player can at any time go back to a piece they have played before (or a piece they haven’t) and play it as they read it from the sheet.

It is hard to know if one method is detrimental to the other.  It may be that if you can play a few tunes by ear, you find it hard to go back to the beginning to begin on the formal training of sight-reading, but with a little application you could be back up to speed sooner than you think, and have learned a new skill in the process.  Often people who have reading or concentration difficulties have a gift to pick stuff up by ear.

For adults in particular who may have less time on their hands and just want to be able to knock out a tune or two, learning and playing by ear may be a fast track.  But for those of us who are a bit more ambitious, it’s the guy who can read the music that’ll get the gig.

I was talking to a (very lucky) person today who is hoping be in Mali this year in time for The Desert Music Festival.  As soon as I got home, I had to put on one of my favourite albums, which just gets better with time — a collaboration of two of my favourite musicians, blues guitarists Ali Farka Toure and Ry Cooder’s ‘Talking Timbuktu’. If you like that, then I would also recommend Ry Cooder’s Paris Texas sound track.  Hope you enjoy.

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13th April, 2018  ·  

An evening on the 'Balance of Feeling Good' by Clonakilty Gaa Club Health and Wellbeing Committee followed by Guest Speaker, Cork GAA Chairperson, Tracey Kennedy.

Paddy Duggan, former Principal of Clonakilty Community College, will be MC on the night, facilitating a discussion on getting the balance of feeling good.
Contributors on the night are Colm Sheehy, Conor Murray, David Lowney, Denis Murphy, Eoghan Deasy, Sean McEvoy, Thomas Clancy and Treasa O'Brien.
Topics covered will range from awareness and responsibility to yourself and others to the benefits of exercise and nutrition.
The evening is suitable for everyone aged 16 and over from players, members of the community, parents of young and adolescent children, etc.

This is a public event, free of charge and everyone is invited and very welcome to attend.
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12th April, 2018  ·  

The Cast of Harold Pinter’s ‘No Man’s Land’ are on their way to the All-Ireland finals, having won 26 awards, including five best of Festivals, at the Amateur Drama League of Ireland annual three act festivals. The play ‘No Man’s Land, by Harold Pinter, the Nobel Prize Winning Author is directed by Jennifer Williams.

One last opportunity to view this multi award winning play at Skibbereen Town Hall, on Saturday 14th of April, before the finals.

Having met by chance in a pub, two aging writers continue a long night of drinking and reminiscing in a stately London home. As the night wears on, their conversation wanders through memories long forgotten or invented. Is their encounter real or a delusion? Are they strangers or do they share a past history? When unexpected guests intrude upon an increasingly surreal evening, the atmosphere quickly changes from friendly to threatening, and the encounter becomes a game of survival.

Tickets may be purchased at the door or in advance by emailing schulldramagroup@gmail.com

For more information please contact hilary.mccarthy6@gmail.com
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9th April, 2018  ·  

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